![]() In this literary task, the researcher employs the descriptive-critical-analytical maneuver. After that, the study's process shifts to the section of discussion and then a brief conclusion. It moves ahead to reconnoiter the scope of the mentioned important themes in the poem, Sailing to Byzantium. The paper starts with a brief introduction, and then to be followed by a section about the poet W. The study intends to review the depth of some essential contrastive themes of Sailing to Byzantium such as youth, age, death, nature, abstraction, and art. reality to afford an element of a life that is sovereign of the other. The poem Sailing to Byzantium is constructed in reality, though it has to relocate outside. It is a speculative piece of poetry that might sanction critics to profoundly contemplate the various contrasts in life between the natural elements and the symbolical elements. Yeats’s poem, Sailing to Byzantium, is a prominent poem about the contrastive relationship between youth and aged people. Afterward, the study moves ahead to deal with some verse elements such as rhythm, the use of meters, and other devices. The study starts with an introduction about Shakespeare, the poet, and dramatist, then critically, it comments on appreciating the profound elements of the poem. Through an analytical and critical examination and scrutiny, the study tries to present the verse and poetic concepts that Shakespeare applied in the lines of this very short poem. This study intends to explore the perceptions of descriptions, pictures, and metaphors behind this poem. goes with the sort of used verse and its technique, style, and devices. Its significance might be looked at from two sides the first is the meaning of the natural season, winter, and how such time of year is described in this poem. It is composed of eighteen lines at the end of the comic play Love's Labour's Lost. Review Article Irrespective of that, Winter is a short poem however, it bears inside profound, interesting meanings and connotations. Afterward, the point is shifted to illustrate the core of the study Discussion on Making Verse in which the researcher sheds light on some essential poetic elements such as blank verse, normal variations, and sporadic variations as instances proofing his arguments. The paper starts with an introduction about Shakespeare and the composing of The Tempest then, it sheds light briefly on some verse instances. The researcher applies the critical and analytical approach as a literary technique of the study. in Shakespeare's time, which was introduced in place of the rhyme, and poetic variations such as accent variation, inversion, deletion of syllables, and additional syllables. The paper is an attempt to show the formations of poetry in the play and to ascertain the dominance of verse such as blank verse. This study attempts to disclose the poetic elements of the play as proof to be called a long poem. The significance of this play, I feel, is not only being a drama but also poetic. The Tempest is one of the greatest comic plays of the English writer William Shakespeare. One of the changing factors is poetry as a branch of literature. Thence, different parts of Europe were enlivened with the movement of translation and multi travels and cultural exchange. The eighth through the eleventh centuries witnessed the glorious ages of Islamic civilization and sciences in which great portion of it was shifted t o Italy during and after the crusades. The European Renaissance started in Italy decades after translations of Islamic heritage, literature and science from Arabic into Latin then from Latin to other European languages. ![]() ![]() The last part goes back to the beginning of the European Renaissance in the twelfth century. It is supported with five troubadour poets. The second part deals with the nature of troubadours and their relation with the poetry of Muwashashah and Zajal. It sheds light on the influence of Muwashashah and Zajal on the poetry of troubadours. The study consists of three parts in which the first part represents the main part. This study is a historical-analytical attempt to demonstrate the influence and contribution of Arab Islamic Mawashahat and Zajal on the Provencal lyrical poets-the Troubadours that sprang in south of France during the eleventh century.
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